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Saturday, May 30, 2009

Lil' Wayne - Tha Carter III


BIOGRAPHY

Real Name: Dwayne Michael Carter, Jr

Date Of Birth: September 27, 1982

Origin: New Orleans, Louisiana, United States

Labels: Cash Money/Young Money/Universal

Nicknames: Weezy, Weezy F Baby, Lil Weezy, Young Wayne, Baby Jr, Young Weezy, Wayne, Birdman Jr, Best Rapper Alive, Rapper Eater, Dr. Carter, President Carter, Mr Carter, Weezyana & Young Tune

Unquestionably Cash Money/Universal Motown Records recording artist, Lil Wayne will go down in history as the best rapper of his generation. Indeed he may go down as one of the best artists in hip-hop period. One look at Lil Wayne’s impeccable track record will convince even the most ardent skeptic that the New Orleans born lyricist is a strong contender for the crown of “Greatest of All Times.”

In the span of his 13-year career, Lil Wayne has sold over six million units, including his magnum opus, The Carter II (2005) which sold over 2.5 million units. He has been featured on numerous high profile singles including Fat Joe’s Grammy nominated single “Make It Rain,” and in the past two years, Lil Wayne has recorded over 1,000 songs and freestyles. According to MTV, Lil Wayne has released more music in the last two years than the legendary Tupac Shakur.

Now with his highly anticipated sixth and arguably his best album The Carter III, Lil Wayne’s career and legacy is set to climb to even greater heights. "I made The Carter III so that whatever song is on, it will stick with you forever,” says Wayne. “That’s why I took my time with it. I wanted it to be a classic.”

A classic it will truly be. With production by Alchemist, Cool & Dre, David Banner, Kanye West, and Jim Jonsin, to name a few, and guest appearances by some of today’s premiere recording artists including T-Pain (Got Money), Bobby Valentino (Mr. Officer), Babyface (Comfortable), Juelz Santana & Fabolous (Ain’t Got Nuthin) and a special guest appearance by the legendary R&B singer Ms. Betty Wright (Play With Fire), Tha Carter III is an eclectic collection of 15 songs that range from simply brilliant to sheer genius.

The first single from the Tha Carter III, “Lollipop,” featuring Static Major is the bubbling lead single that has Wayne delivering his clever lyrics laced with racy double entendres over a funky slow burning beat. Lil Wayne’s second single, “A Milli” which was produced by Bangladesh (Ciara & Ludacris), is a booming 808 laced track augmented by a tight rhythmic snare, accented by handclaps and a sample that matches Wayne’s staccato flow perfectly. In “Mr. Carter” featuring Jay-Z, we find the two trading introspective lyrics about their lives and legacy in the rap game with Wayne at his lyrical best dropping stream of conscious gems like: “I got the flo’, I’m tryin’ to see the roof/Didn’t wear a bulletproof so I got shot, you can see the proof/Blind eyes can look at me and see the truth/Wonder if Stevie do?”

Born Dwayne Michael Carter, Jr. and raised in New Orleans infamously poor Hollygrove neighborhood, Lil Wayne was discovered by Cash Money CEO Brian “Birdman” Williams when a mutual friend introduced him to the pre-teen rapper. The Birdman immediately saw a spark in the youngster’s eyes and took him under his wing. In 1993, Lil Wayne and fellow Cash Money rapper B.G. came together as a duo called The BGs and released their debut EP True Stories. In 1997, a 15 year old Wayne joined forces with BG, Juvenile and Turk to form The Hot Boys for their debut album Get It How U Live. The record sold over 400,000 copies independently. The Hot Boys sophomore LP Guerilla Warfare (1999) went platinum and earned Wayne critical acclaim. That set the stage for his platinum selling 1999 solo debut Tha Block Is Hot. The album yielded a number one single with the title tune and was certified double platinum.

The following year Wayne released his sophomore LP Lights Out, which reached gold status and in 2002, Lil Wayne dropped his third solo LP 500 Degrees. It too went gold. Two years later Wayne released The Carter, the first album in the trilogy that would elevate Wayne to superstar status. The Carter (2004) was a commercial success selling over one million copies and reaching #5 on the Billboard Hot 100 Charts and #2 on the Hot R&B/Hip Hop chart. In 2005, Wayne released The Carter II, which sold over 1.8 million records. 2006 saw the release of Like Father, Like Son, a collaboration between Lil Wayne and Birdman which has sold over 750,000 units.

GQ Magazine named Lil Wayne as its “Man Of The Year” for 2007. Rolling Stone Magazine tagged him as “Best MC of 2008” while Blender Magazine (2008) named him the “Best Rock Star Alive.” So it should come as no surprise that his latest solo outing finds the hip-hop super star at the top of his game. With Tha Carter III, Lil Wayne proves to the world why he is indeed considered “the best rapper alive” and one of the great recording artists of his generation. (Source: Lil Wayne HQ)

You can download Lil' Wayne's latest album Tha Carter III HERE.

Track Listing:

1. 3 Peat
2. Mr. Carter
3. A Milli
4. Got Money
5. Comfortable
6. Dr. Carter
7. Phone Home
8. Tie My Hands
9. Mrs. Officer
10.Let The Beat Build
11.Shoot Me Down
12.Lollipop
13.La La
14.Playing With Fire
15.You Ain't Got Nothin
16.DontGetIt

Thursday, May 28, 2009

Ciary - Fantasy Ride



Biography

Ciara Harris (sounds like Sierra) was born on October 25, 1985.

She grew up in a military household and as a military brat (her father was in the army, her mother was in the air force), she moved around her family moved around the country (and the world) while she was younger. She was born in Austin, TX, but with her father in the Army, Ciara spent time living in Germany, New York, California, Arizona, and Nevada before landing in Atlanta.

She always enjoyed singing. She began doing some modeling, but thought that singing would be her focus after she finished school. She graduated Riverdale High School in 2003 and she wrote down on a piece of paper that she was going to be a professional singer and set out to do just that. She cut out everything that did not have to do with a singing career, including talking on the phone, friends and even broke up with her boyfriend. She joined a girl group (Hear Say), but quickly decided that she should be a solo artist, and then she hooked up with record producer Jazze Pha and signed with his record label (Sho'Nuff).

Together with Sean Garret (co-wrote "Yeah"), and produced by Lil' Jon, they wrote her first single, "Goodies," which was produced in the Crunk & B style first originated by Usher. In 2004, she was the first female to release a song in this genre and after it became popular, she was dubbed with the title of the First Lady of Crunk & B. [Note: the word "crunk" was derived from mixing of the words "crazy and "funk".] Says Lil' Jon of the newly-formed genre, "Crunk & B songs are R&B songs that get you crunk. They make you wanna wild out. ['Goodies'] is a female empowerment record. The female has the power. The female is in control on this song. This is one of those records for the ladies." The album by the same name (Goodies), released by LaFace Records also became an instant chart topper (Billboard R&B/Hip-Hop Top 10) when it was released in September of that year.

"I'm so happy I wrote 'Goodies'," Ciara enthuses. "I pray everybody gets it the way they're supposed to." In the hook, Ciara warns, "If you're looking for the goodies keep on looking 'cause they stay in the jar." "I think we all run across this problem," she explains. "A guy thinks you're gonna be with him because he's got the iced out chain, he's popular and all that. But that ain't it. That ain't gonna make me give you my number and that's definitely not gonna make me go home with you. It's the truth."

Jon says he was impressed by Ciara's approach to the song, which she co-wrote with "Yeah" songwriter Sean Garrett. "She did an excellent job on it," says Jon. "With this record, it's the way she rides over the track, the way she freaks the beat and the stuff that she says to connect her with other women. She's saying stuff that women can relate to. Guys are always trying to get some from a girl and she's like you can't have it. That's what makes her stand out and this is one of those records with that undeniable energy where as soon as the beat comes on it catches you and makes you move. You can't sit still when that song comes on. Crunk music, you can't fake because it's all about the energy. It's gotta be real."

And Ciara is as real as they come. Her self-titled Sho' Nuff/LaFace/Zomba Label Group debut is a heaping dose of real life issues conveyed through everyday language and extraordinary production and vocal delivery. The album is a complete work of art and a masterful mixture of messages for the young and not so young. On "Thugstyle," a song she wrote with songwriter Johnta Austin (Toni Braxton, Aaliyah) Ciara displays her true 'round the way girl' nature. "It's kinda how a guy would talk to a female, always spittin' game," she explains. "To me, it's a little slick. It's just a fun record. Everyone loves to sing along with it." "Looking at You" and "Pick up the Phone" with their groove-heavy tracks and sassy vocals, are signature Ciara, who says the latter, written and produced by Austin and Jazze Pha, talks about something that "everybody goes through." "I love this record because it's so real. I say, 'You know it would be nice if you could call somebody and let somebody know that you're alright....I know you see me on the caller I.D. so pick up the p-h-o-n-e.'"

The slow and sweet "And I," which Ciara did with producer Adonis, is about "loving someone for who they are and not what they have." And "Ooh Baby," written by Sean Garrett and Keri Hilson (Reuben Studdard, 3LW) is about good old-fashioned infatuation. "I'm just really into this guy," Ciara explains, in character. "I consider myself a 'round-the-way girl, down to earth and basically the kind of guy I like is like this guy who pulls up in the F-150 pickup with the crazy banging system. He's a 'round-the-way dude, kinda 'hood. But I'm like really into him."

With its easy-to-relate-to subject matter, the album is listener-friendly and accessible to anyone who knows even the slightest bit about 'keeping it real.' "The songs are very catchy," says Ciara. "They're for all demographics, all age ranges....They're not as personal as I want to be. I'd rather be more personal on the second album, once I grow a little more."

She released her Goodies video in 2005 which includes music videos from the album and the making of "1, 2, Step" other behind the scene scenes and bonus song. She is currently touring around the U.S. She won the 2005 BET Award for best collaboration for her the hit song "1, 2, Step" featuring Missy Elliot.

Considering the short time that she's been in the music business Ciara has grown plenty. She admits that she's a bit more mature than the average teenager. "Throughout life I've experienced a lot more than the typical 18 year old has. And being in this industry makes you develop more quickly than a typical child would. You mature faster." But much of Ciara's growth and maturity come from her determination to pursue her dreams. "I remember watching Destiny's Child perform on TV one day. That's when I made up my mind: 'Hey I wanna do this.' I watched my peers around me and they were worried about who's wearing what, going to school, trying to talk to somebody and I was like 'I'm trying to be somebody. What can I do to get there as soon as possible?'"

And now Ciara is ready to share her vibe with the rest of the world, but "It's not just about penning clever lyrics and singing and dancing to a banging track," she says. "My goal is to deliver a positive message and let people know they're not the only one going through things....I've been blessed to be able to counsel my peers. I'm here to deliver a message and I think the impression that you make is very important. I don't wanna write records just to write. I wanna have a message to everything that I write. That gives you longevity." (Source: IamFan)

Album Review by T. Carlson

In her third offering, Ciara takes her fans on a "fantasy ride" that hits many highs and lows. The overly hyped and continuously delayed album boosts many radio friendly songs and potential hits. One of the album's downfalls is the lack of cohesiveness. This might be attributed to the album's original formatting of having three different discs representing various musical styles, which later became scraped. The album's formatting change resulted in all concepts being placed on one disc.

Aside from the lack of fluidity, this 13-track album offers a little something for everyone. Listeners' ears will be subjected to Ciara's alter ego, "Super C" softly crooning over seductive mid-tempo ballads and heads will bob along to the album's contagious club bangers with the catchy hooks.

If listeners are looking for the growth and "evolution" with Fantasy Ride, they will be slightly disappointed.

Strongest points:

The album's aggressive and dance driven beats allow this album to standout. The album enlists production from many of the industry's "it" producers. This includes: Justin Timberlake, Tricky Stewart, The Dream, Rodney Jerkins, and Missy Elliot. In addition, the many collaborations found on the album helps to give the "swagger" Super C was aspiring for. Cameos include: Justin Timberlake (Love Sex & Magic), Chris Brown (Turntables), Ludacris (High Price), Missy Elliott (Work), Young Jeezy (Never Ever), and The-Dream (Lover's Thing).

Weak Points:

Ciara, aka Super C's vocal delivery is at most sub par. Vocally Ciara seems to exhibit a lack of growth. There is no differentiation between Ciara and Super C. Ciara's voice remains monotonous and at times is almost inaudible over the infectious production. In actuality, Ciara and Super C both become lost in the production and merely sit in the background. For the longest Ciara has been fighting for her own identity. Throughout her career she has been compared to the likes of Janet Jackson and even the late Aaliyah. Many songs throughout the album actually are very reminiscent of Janet's Discipline era. For instance, I Don't Remember is very similar to Janet's Rock With U. The lyrics at times are very superficial and lack depth and intensity--G is for Girl, Like a Surgeon, and High Price.

Highlights:

Ciara to the Stage, Love Sex & Magic, High Price (the operatic vocals gives the track an unique flair), Never Ever (possibly Ciara at her best), Work, When I (Bonus Track), and Keep Dancin' On Me. (Source: Amazon)

You can download Ciara's latest album Fantasy Ride HERE.

Track Listing

01. Ciara To The Stage
02. Love Sex Magic (feat. Justin Timberlake)
03. High Price (feat. Ludacris)
04. Turntables (feat. Chris Brown)
05. Like A Surgeon
06. Never Ever (feat. Young Jeezy)
07. Lover's Thing (feat. The-Dream)
08. Work (feat. Missy Elliott)
09. Pucker Up
10. G Is For Girl (A-Z)
11. Keep Dancin' On Me
12. Tell Me What Your Name Is
13. I Don't Remember
14. Go Girl (feat. T-Pain) (Bonus)


Wednesday, May 27, 2009

Lily Allen - Its Not Me Its You


Biography

With her omnivorous musical tastes and cheeky attitude, London-based pop singer/songwriter Lily Allen made a name for herself almost as soon as she released her demos on the Internet. The daughter of comedian Keith Allen, Lily spent most of her childhood bouncing from one school to another -- in fact, she attended 13 different schools between the ages of five and 15. This constant moving meant she didn't have much of a chance to make lasting friendships, so Allen entertained herself with books and, especially, music: she listened to everything from T. Rex, the Specials, and the Slits to the Happy Mondays and drum'n'bass, and even ran away to see the Glastonbury Festival when she was 14. After she left school a year later, she realized that music was the only career for her. Allen concentrated on her songwriting and singing, developing a style that was equally sweet and bratty; late in 2005, she set up a /MySpace page and posted demos of her songs, as both individual tracks and as part of two limited-edition "mixtapes" that also featured tracks by Dizzee Rascal, Creedence Clearwater Revival, and Ludacris. The critical acclaim for her work fueled Allen's publicity, leading to tens of thousands of friends on /MySpace, airplay on BBC Radio One, and a record deal with Regal/Parlophone before the end of 2005.

Allen began working on her full-length album with producers such as Greg Kurstin, Mark Ronson (with whom she also collaborated on a cover of the Kaiser Chiefs' "Oh My God" that appeared on her second mixtape), and Futurecut, and released a limited-edition 7" of LDN as her debut single in spring 2006. Both LDN and Smile, which followed that summer, were chart successes, with the former reaching number seven on the U.K. chart and the latter hitting number one the week it debuted. Hot on the heels of Smile came Allen's first full-length, Alright, Still, which she supported with a slew of dates stretching out to the end of the year. Despite the speed of her success, Allen continued to update her /MySpace page with amusing blog rants, including one about her June 2006 appearance on Top of the Pops that berated the lead singer of the Kooks for "wearing broken straw hats and dark sunglasses" indoors and Dirty Pretty Things for having "organic sliced bread on the rider." Allen rang in 2007 with more tour dates, including gigs in Japan, Australia, and the U.S., and the U.S. release of Alright, Still. She also earned nominations for British Breakthrough Act and British Female Solo for that year's Brit Awards, while "Smile" and Alright, Still were nominated for British Single and British Album, respectively.

Allen spent most of 2007 touring, but also collaborated with Dizzee Rascal on Maths and English's duet "Wanna Be" and provided vocals on Basement Jaxx's Crazy Itch Radio. Allen's personal life and side projects were nearly as prominent as her music career, with her relationship with Chemical Brother Ed Simons and her subsequent miscarriage making headlines in late 2007 and early 2008. In February 2008, Allen embarked on a talk show on BBC Three, Lily Allen and Friends, which lasted through that April. That month, Allen posted two new demos on her /MySpace page, including "GWB," which was about President George Bush; for her second album, she worked with producer Greg Kurstin of the Bird and the Bee, and co-wrote several songs with him instead of just providing the lyrics. She also worked on songs with Jamie Reynolds of the Klaxons and wrote a song about comedian James Corden for the 2008 Shockwaves Awards. Another new song, "Everyone's at It," debuted that fall, and Allen courted controversy again with an unauthorized cover of Britney Spears' "Womanizer" that December. It's Not Me, It's You, which covered topics like drugs, fame, family, and society, arrived early in 2009, preceded by the single The Fear. (Source: Starpulse)

You can download Lily Allen's latest album Its Not Me Its You HERE.

Track Listing:

1. Everyone's At It (Album Version)
2. The Fear (Album Version)
3. Not Fair
4. 22
5. I Could Say
6. Back To The Start
7. Never Gonna Happen
8. Fuck You
9. Who'd Have Known
10. Chinese
11. Him
12. He Wasn't There

Monday, May 25, 2009

Kings Of Leon - Only By The Night

BIOGRAPHY

Kings of Leon's history is the epitome of a mythological rock & roll story. The Followill brothers are sons of a preacher man who were raised on the road throughout the South, traveling from one Pentecostal church service to the next. They were shattered by a divorce, transformed by illicit substances and the stoner music of Led Zeppelin and rewarded with a Nashville record deal for their grinding garage-boogie sound and raw, Southern gothic lyrics.

The Followill boys — Nathan (born June 26th, 1979), Caleb (born January 14th, 1982) and Jared (born November 20th, 1986) — grew up watching their father Leon, a Pentecostal preacher, instill the fear of God in parishioners across the heartland. Forbidden to listen to secular music, they spent their early childhoods being home-schooled, watching church choirs and occasionally banging on drums during services. The boys' fates as followers of fundamentalist Christianity seemed sealed until 1997, when Leon Followill resigned from the church and divorced his wife. The divorce rocked the Followills' world, and afterwards, the two eldest brothers moved to Nashville, hoping to break into music. They quickly ran into Nashville songwriter and former new waver Angelo Petraglia, who turned the brothers on to the secular music of the Rolling Stones and Johnny Cash. In 2000, the two met a singer who helped them find a manager.

Kings of Leon, named for their father, were born when younger brother Jared and a cousin, Matthew Followill (born September 10th, 1984), came into the fold. At first, Nathan and Caleb's musical influences were few. But Jared, who briefly attended public schools, had learned about the music of the Pixies and Velvet Underground. The boys began woodshedding, and by 2002 Kings of Leon had interest from nine labels. A bidding war ensued, with the band ultimately choosing RCA Records.

The group's debut EP, Holy Roller Novocaine, and album, Youth and Young Manhood — both produced by Petraglia and Ethan Johns (son of Led Zeppelin and Who producer Glyn Johns) — came out in 2003. The band's retro-chic look — long hair, mustaches, Seventies-style clothing — and blend of Southern boogie with gritty garage rock inspired comparisons to both Lynyrd Skynyrd and the Strokes. Kings of Leon were hailed by the British press as the second coming of rock & roll, being named everything from 2004's "Best New Band" to "the kind of authentic, hairy rebels the Rolling Stones longed to be." But the band failed to make much of an impact in the United States, where reviews were generally lukewarm and the modern rock audience generally disinterested. In the U.S., Youth sold only 100,000 copies compared with the 750,000 copies it moved elsewhere. When Kings embarked on a tour, the band became the cliché of rock & roll excess and the British press went along for the ride. Stories of sex, drugs and sightings with models followed the home-schooled boys, who just a few years earlier hardly knew what sex, drugs and rock & roll meant.

The group's highly anticipated second album, Aha Shake Heartbreak, came out in 2005, debuting at Number Three on the British charts. Kings added more experimental touches — the angularity of British art-punk band Wire — to their still-very-raw aesthetic. A tour supporting U2 upped the band's profile in the U.S., and the album reached Number 55 on the Billboard 200. In late 2006, just before release of Kings' third album, Because of the Times, the band opened for Bob Dylan at some shows. Times, released in April 2007, found the Kings moving even further away from their short songs with immediate hooks, but the general sound and substance remained the same, with lyrics about pregnant girlfriends and black Camaros, and the album reached Number 25. (Source: Rolling Stone)

ALBUM REVIEW - ONLY BY THE NIGHT

Free from their strict Pentecostal father, Kings of Leon's Followill brothers (plus cousin Matthew) spent their first two records establishing themselves as horny Nashville youngsters with a neo-garage-rock style that got them tagged as the "Southern Strokes." Nowadays, the Kings are feeling a different sound: Like last year's Because of the Times, Only by the Night is long on astral, arena-ready largeness, with blippy keyboards, droney guitars and whoa-oh-oh backing vocals. Frontman Caleb Followill cranks up his Allman Brothers howl, turning out big choruses with sometimes tough-to-parse lyrics and deep-feeling melodies reportedly influenced by pain meds he began taking after shoulder surgery. The revamped sound doesn't always work: Cuts like the slow-burning murk-fest "Cold Desert" feel like sub-John Mayer soul — bland and overly ponderous. But when the Kings find a gussied-up groove with teeth — like the effects-laden Zeppelin stomp of "Crawl" or the pulsating, New Wave "Sex on Fire" — they sound like rock heroes experiencing the joy of well-manicured sound. (Source: Rolling Stone)

You can download Kings of Leon's latest album Only By The Night HERE or download selcted tracks by clicking on the following single track links:

Download Links

1. Closer
2. Crawl
3. Sex On Fire
4. Use Somebody
5. Manhattan
6. Revelry
7. 17
8. Notion
9. I Want You
10. Be Somebody
11. Cold Desert

Photo Thumbnails

Friday, May 22, 2009

Britney Spears - Circus

BIOGRAPHY

Spears was born December 2, 1981 , in Kentwood Louisiana. The daughter of Lynne, an elementary school teacher, and Jamie, a construction contractor, Spears auditioned for the Disney Channel’s Mickey Mouse Club at the age of 8.

Producers for the show decided she was too young, but one was impressed enough to help her find an agent in New York.

Accompanied by her mother and younger sister, Spears lived in Manhattan for the next several summers, studying at the Professional Performing Arts School.

In 1991, she landed a part as a demonic child in Ruthless, an off-Broadway production based on the 1956 horror film, The Bad Seed.

At age 11, Spears auditioned again, this time successfully, for the Mickey Mouse Club. For the 1993 and 1994 seasons, she lived in Orlando, Florida, where the show is filmed, in a dorm with the rest of the cast—including two future members of the group ‘N Sync and Keri Russell, future star of the WB’s Felicity.

After her run on the MMC, Spears attended high school at home in Louisiana for a year, before heading back to New York at age 15 to audition for executives at Jive Records.

She signed a development deal with Jive and over the next two years recorded her debut album with producers Eric Foster White, who had worked with Whitney Houston (one of Spears’ professed influences, with Madonna, Michael Jackson, and Mariah Carey), and Max Martin, who worked with fellow pop stars the Backstreet Boys.

The album, Baby One More Time, was completed by early 1998 but wasn’t released until January 1999. During the interim, Spears set out on a promotional tour to shopping malls throughout America, prompting inevitable comparisons with ‘80s teen pop stars such as Tiffany and Debbie Gibson.

Her first single, also titled “Baby One More Time,” was released in October 1998; its success got Spears a gig opening for ‘N Sync, by then a popular teen band.

When Spears’ album was released on January 12, 1999 , it went straight to the top of the Billboard charts, becoming the first album of the year to debut at No. 1. The single, spurred along by a racy video featuring Spears dressed as a bare-midriffed Catholic schoolgirl, also shot up to No. 1.

By September, Baby One More Time had sold over 6 million copies. Spears’ first eagerly-awaited solo tour opened in June 1999.

Some controversy surrounded a Rolling Stone cover story in March 1999, picturing the 17-year-old Spears in a seductive, Lolita-esque pose. Spears has vigorously denied the widespread rumor that she has breast implants, as well as the rumor that she is actually in her 20s.

Before the Grammy Awards, held in February 2000, Spears had emerged as one of the leading contenders for Best New Artist. She eventually lost the award, to fellow ex-Mickey Mouse Clubber and teen pop sensation Christina Aguilera.

Spears' second album, Oops!...I Did It Again, hit stores in May of 2000. With 1.3 million copies sold in its first week in stores, the album became the top-selling debut by a solo female artist ever. It earned Spears two more Grammy nominations, for Best Vocal Pop Album and Best Female Pop Vocal Performance (for the single “Oops!...I Did It Again”).

Spears released her third album, Britney, in November 2001, which featured the breakout single, I’m A Slave 4 U. With her next album, In the Zone (2003), she tried to sound more adult while at the same time playing up an even sexier image. She collaborated with Madonna on the popular track Me Against the Music and scored a top ten hit with Toxic.

In recent years, Spears has become more famous for her personal life than her music. She dated fellow Mickey Mouse Club alum Justin Timberlake of the blockbuster boy band 'N Sync for a number of years. Their much-talked-about breakup was followed by an annulled impromptu marriage to childhood pal Jason Allen Alexander in 2003.

Spears married dancer Kevin Federline in a much-publicized wedding in September 2004. Their first child, a son, was born on September 14, 2005. Their second son was born on September 12, 2006. Spears filed for divorce in November 2006. The divorce became finalized in July.

After her break-up with Federline, Spears’ personal life seemed to spin out of control. Within days, she was photographed without underwear arriving at various parties. In February 2007, she shaved her head with electric clippers at a tattoo shop in Sherman Oaks, California.

Britney made several attempts at rehabilitation before completing a program at a Malibu, California-based treatment facility on March 20, 2007. But Spears' former bodyguard said he saw her doing drugs shortly after.

Tony Baretto revealed in an interview on Sept. 24 that Spears had done drugs twice at a nightclub, but didn’t say what kind of drugs she did. Baretto, fired two months after that alleged incident, also filed a deposition in her child-custody case claiming to be witness to “nudity, drug use and safety issues” involving her kids.

Spears, who is trailed almost everywhere by a mob of celebrity photographers, has also became notorious for distracted driving. In February 2006, she was photographed driving with her son on her lap.

On August 6, 2007, paparazzi photographed Spears steering her car into another vehicle as she tried to park in a space in a lot in Studio City. The video showed her walking away after assessing the damage to her own car.

The owner of the other car, Kim Robard-Rifkin, learned it was Spears who had hit her car through a video posted on the Internet and filed a police report three days later. Investigators later determined that Spears also did not have a license.

A hit-and-run charge against Spears was dismissed Oct. 25 after she paid an undisclosed amount to the other car's driver in the fender-bender. She also pleaded not guilty to a misdemeanor charge of driving without a valid driver's license and later obtained a temporary California license.

The damage continued to pile up into that October and November as three people, including two paparazzi and a Los Angeles sheriff's deputy, reportedly had their feet crushed as Spears drove her car through crowds.

In addition to her motoring misfortunes, Spears was also dropped by her management company, the Firm, on Sept. 17, eight days after her widely panned performance at the MTV Video Music Awards. Still, her new album Blackout came out October 30 to broadly favorable reviews.

She also suffered from pinkeye, a common infection when you have little kids. Spears made that revelation coming out of the Los Angeles courthouse Oct. 15 where she was booked on charges in the Aug. 6 incident. She was wearing large designer sunglasses at night to hide her infection, which she said hurt “really bad.”

The biggest blow, however, was yet to come. Citing concerns about her use of drugs and alcohol, Superior Court Commissioner Scott Gordon removed Spears from physical custody of her children Oct. 1. Gordon ordered Spears to undergo random drug and alcohol tests and meet weekly with a parenting coach who would report back to the court about her parenting skills.

Gordon later granted some visitation rights to Spears, but reversed that on Oct. 17 after finding she had failed to comply with some conditions for shared custody. He withdrew the visitation ban a few days later, but only in the presence of a court-approved monitor.

Gordon also ordered both parents to complete the court's “Parenting Without Conflict” class. Indeed, they attended their first of six sessions on Oct. 24 at the Beverly Hills Hotel. Spears and Federline reportedly discussed how a divorce can affect children, and received instructions on what they should be doing to be good divorced parents.

Spears failed to regain custody of her children Oct. 30, following a damning review of her parenting skills. She was, however, granted two supervised visits per week with her kids if she has regular drug and alcohol tests, childproofs her home, buckles the kids in car seats and continues meeting with a court-appointed parenting coach.

In that ruling, Gordon also noted that Spears had failed to keep appointments with a court-appointed parenting coach, Lisa Hacker, on three occasions before finally holding a series of sessions. Gordon added that while Hacker felt Spears “loves her children and the children are bonded” to her, she had expressed “several observations that are of concern.”

“It seems that her (Spears) choices are dependent more upon what she wants to do at any given time rather than what would be more enjoyable for the children,” Hacker stated in the Oct. 19 report. She added that the Spears household: “Ranged from chaotic to almost somber with no communication at all.”

During all three visits, Hacker said Spears “rarely engaged with the children in either conversation or play” and had displayed a “lack of general attention at times.” Hacker closed her report by stating bluntly: “The problem is that unless Ms Spears realizes the consequences of her behavior and the impact that it has (on) her children, nothing is going to be successful.”

Gordon's nine-page ruling said Spears could have overnight visits with her kids. She would get two visits a week from noon to 7 p.m. and one from noon to 10 a.m. the next morning. All the visits would be monitored. Spears and Federline were also ordered to meet to agree a holiday schedule.

The Oct. 30 ruling followed a tense three-hour hearing Oct. 26 attended by both Spears and Federline. During a break, Spears reportedly began cursing, Access Hollywood reported.

“Eat it! Lick it! Snort it! F*** it!” she was overheard repeating when a reporter tried to ask her a question. Spears also seemed distraught when she eventually left the courthouse for the day.

Spears was ordered to show up for a deposition to determine whether she misused alcohol and substances in front of her young children. But she missed several sessions, including ones scheduled for Dec. 12, 2007 and Jan. 2, 2008.

Another deposition was scheduled for Jan. 3, but Spears arrived so late that it was called off after only 14 minutes. Later that night, she was taken to a hospital after a standoff in her Beverly Hills mansion when she refused to return the children to Federline's bodyguard following a visit.

Spears finally turned over her children after ambulances showed up. She was conscious, alternately smiling and looking distraught, when paramedics took her out of her home in a gurney.

The exact reasons for Spears being taken to hospital were not revealed although there was speculation she was suffering from a long-standing psychological illness, possibly bipolar disorder.

Spears discharged herself Jan. 5, but couldn't get out the door without bumping into psychologist and television talk show host “‘Dr. Phil” McGraw. He had been asked to meet with Spears by her parents. After they chatted, Dr. Phil reportedly escorted Spears to her car.

And then, Dr. Phil started telling everybody about his encounter with Britney, including the media. Britney’s parents, not happy about it at all, said through a spokeswoman that “‘he (Dr. Phil) was not invited to make this part of a public display or part of the media” and called it “‘an example of a trust being betrayed.”

Lou Taylor, a business manager for Spears' mother, Lynne, and younger sister, Jamie Lynn, said Jan. 9 McGraw was planning to do a show on Spears (her parents reportedly declined to participate), but cancelled it, saying her predicament was “‘too intense.”

Mental health professionals also criticized McGraw, saying he went too far. McGraw fired back at his critics in an interview with Entertainment Tonight on Jan. 7.

“‘Somebody needs to step up and get this young woman into some quality care — and I do not apologize one whit, not one second, for trying to make that happen,” he said.

Meantime on Jan. 4, Commissioner Gordon gave sole physical and legal custody of the former couple's two toddler sons to Federline and suspended Spears' visitation rights. That decision was upheld during closed-door meetings on Jan. 14 and Jan. 23.

Spears’ attendance at those hearings were erratic. On Jan. 14, she left the courthouse almost as fast as she arrived with her car surrounded by paparazzi. On Jan. 23, she bolted less than a half-hour after arriving. Although her attendance was not required at either hearing, Spears' lawyers had told the singer she should appear to have any hope of regaining access to her children, as reported widely by celebrity news websites.

Spears did finally show up to a deposition Jan. 21, according to published reports. People.com and TMZ.com said Spears drove to the Los Angeles office of Federline's attorney, Mark Vincent Kaplan, with a friend and was seen leaving more than two hours later.

Meantime, the lawyers representing Spears in her custody battle declared their intention to quit. The law firm Trope and Trope asked a court on Jan. 2 to be relieved as her attorneys, citing a “breakdown” in communication with Spears that makes representing her “impossible,” according to a filing obtained by CelebTV.com.

The fact that Spears didn’t show for a scheduled deposition Jan. 2 may have been a factor in her lawyers’ decision to drop her. The celebrity website TMZ.com reported that it was the fifth deposition the pop princess had missed. Attorney Stacy Phillips took the reigns in Britney's custody case on Feb. 19.

On Jan. 28, journalist Barbara Walters cited Spears’ friend and sometimes manager Osama "Sam” Lutfi when she broke that news on her ABC television show The View that Spears was suffering from "mental issues" and is seeing a psychiatrist.

"He said that Britney is suffering from what he describes as mental issues which are treatable," Walters said. "He said that she has been to a psychiatrist and that she, I assume, is starting some kind of treatment."

Walters said Lutfi told her Spears was having mood swings and trouble sleeping. But Spears was back in touch with her mother, who had been very supportive.

In the hours following Walters' announcement, a visibly distraught Spears was seen bolting out of a car with Lutfi at her Beverly Hills home. And a few hours after that, her parents, Jamie and Lynne Spears, arrived from their home in Louisiana for a possible "intervention."

The operation to commit Spears to UCLA Medical Center's psychiatric ward appeared to have been "carefully planned over a period of time," the Los Angeles Times reported. A psychiatrist treating the singer had contacted police to set the events in motion.

Authorities entered Spears’ hilltop home in Studio City, known as the Summit, shortly after 1 a.m. on Jan. 31

They were inside for about ten minutes before they spirited Spears away, under the code name "package,” through a side entrance by a motorcade nearly the length of a football field. It included police on nearly a dozen motorcycles and two cruisers. Two police helicopters also followed overhead.

Spears’ mother, Lynne, was seen leaving the UCLA Medical Center psychiatric ward at about 5:30 a.m. When asked whether Britney was doing all right, Lynne Spears replied, "Yeah," before departing in a Range Rover.

Britney was committed on what was supposed to be a 72-hour hold. When the 72 hours were up, her stay was extended Feb. 3 by another 14 days. Hospital staff members cited a section in the state law that allows patients to be retained for medical treatment if they are found to be gravely disabled or a danger to themselves or others.

But on Feb. 6, just three days after that extension, Spears was released against the advice of a psychiatrist. A private security detail reportedly escorted Spears out with relatively little fanfare.

Spears was almost immediately hounded again by paparazzi as she drove around Los Angeles in a black Mercedes-Benz with an unidentified man. At one point, more than 15 people circled the car, shooting still pictures and video. Spears’ parents said they believed their daughter's life is at risk.

"As parents of an adult child in the throes of a mental health crisis, we were extremely disappointed this morning to learn that over the recommendation of her treating psychiatrist, our daughter Britney was released from the hospital that could best care for her and keep her safe," Spears’ parents said in a joint statement.

"We are deeply concerned about our daughter's safety and vulnerability and we believe her life is presently at risk,” the statement read. "There are conservatorship orders in place created to protect our daughter that are being blatantly disregarded. We ask only that the court's orders be enforced so that a tragedy may be averted."

On Feb. 1, Los Angeles Court Commissioner Reva Goetz had named Spears' father as conservator of her person and he and attorney Andrew Wallet as conservators of her $100 million estate. A July 31 hearing extended the conservatorship through to the end of 2008 with a hearing scheduled in October.

Lutfi, who has been at Spears’ side throughout much of her well-documented public breakdown, was also ordered to stay away from the pop singer and stop harassing her. Lynne Spears claimed that since Britney met Lutfi in October 2007, he had moved into her daughter's home and taking over her finances, controlling the paparazzi following her and putting drugs in Britney's food to keep her quiet.

Lynne Spears also said Lutfi had disabled her cars so she couldn’t leave, "cut Britney's home phone lines and removed her cell phone chargers. He yells at her. He claims to control everything -- Britney's business manager, her attorneys and the security guards at the gate.”

Lynne Spears said when she, her husband and a friend went to Britney's home to stage an intervention, Lutfi told her if she tried to get rid of him, Britney would be "dead.”

"I have no problems with anyone writing anything negative against me,” Lutfi responded in a text message to The Associated Press. "My image is not of concern, hers is.''

The restraining order, approved Feb. 1 and publicly released by the court on Feb. 5, required Lutfi to remain 250 yards away from the medical center where Spears was being held, her home and the homes of her parents, siblings and children. Spears' father allowed the restraining order to expire July 31, citing his daughter's renewed mental clarity.

On May 6, Spears was granted increased visits with her two sons. A lawyer for the singer’s former husband, Federline, said the longer visits were “recognition of the progress that has been made.”

Spears and Federline reached a custody settlement on July 18 in which Federline retained sole custody while Spears kept her visitation rights.

Spears returned to the MTV Video Music Awards on September 7. While she did not perform, she did pick up three trophies, including video of the year, best female and best pop video for Piece of Me. She thanked God, her children and her record label for each of her award wins.

"This is such an honor to have this award right now," she said, wearing a glittering silver dress and her hair in soft blonde waves. "I want to thank my fans, this is dedicated to you."

On September 15, it was announced that her six studio album Circus would be released on December 2, her 27th birthday. The first single from the album, Womanizer, was released to radio stations on September 26.

On October 21, 2008, a mistrial was declared in Britney Spears' misdemeanor trial for driving without a valid license. Jurors were unable to reach a verdict after they deadlocked at 10-2 in favor of acquitting the pop star, the foreman said in open court. In light of the jury split, prosecutors decided to drop the case.

The charge stemmed from an August 6, 2007, fender-bender in a parking lot that was caught on video and in pictures by photographers who trail the singer whenever she ventures out in public. A hit-and-run charge in the case was dismissed after Spears compensated the other driver for damages. (Source: Biography.Com)

Download Britney Spears latest album Circus HERE or download selected tracks off the album by clicking on the following single track download links:

Donwload Links

1. Womanizer
2. Circus
3. Out From Under
4. Kill The Lights
5. Shattered Glass
6. If U Seek Amy
7. Unusual You
8. Blur
9. Mmm Papi
10. Mannequin
11. Lace And Leather
12. My Baby
13. Radar (Bonus Track)
14. Rock Me In (Bonus Track)
15. Phonograph (Bonus Track)
16. Amnesia (Bonus Track)

Photo Thumbnails

Thursday, May 21, 2009

Kris Allen - The New American Idol


Kris Allen's smooth vocals and boy-next-door image propelled him to "American Idol" victory Wednesday, turning the theatrical powerhouse Adam Lambert into the most unlikely of also-rans.

"I'm sorry, I don't even know what to feel right now. This is crazy," said a stunned Allen, 23, of Conway, Ark.

As host Ryan Seacrest said in announcing the result of the viewer vote, "The underdog, the dark horse, comes back and wins the nation over."

Lambert's commanding vocal range and stage presence -- and the judges' adoration of him -- at times turned "Idol" into "The Adam Lambert Show," with the other contestants mere guests. But it turned out that "Idol" viewers could embrace a gifted performer like Lambert, one who sported black nail polish and bold self-assurance, only to a point.

Simon Cowell tipped his hat to both contestants Wednesday.

"To both of you, and I don't normally mean this, I thought you were both brilliant. .... The future's all yours," the judge said.

Before the results were announced, Lambert and Allen had a moment of musical camaraderie: They joined together with Queen on the rock anthem "We Are the Champions."

"Adam did win. So did Kris. Nobody lost tonight. These are two champions," said Paul Stanley from Kiss backstage.

The outcome echoed last year's contest, when Cowell all but crowned David Archuleta after the performance finale -- but the victory went to David Cook.

Lambert's triumph was never inevitable. When Allen and Lambert were declared the finalists last week, just 1 million viewer votes separated the pair out of 88 million cast.

Allen bloomed during the season, gaining more assurance onstage and winning viewers over with his smooth, heartfelt vocals, modest demeanor and well-scrubbed good looks.

There was also the Danny Gokey factor. Gokey made it to the top three before he fell out of the contest, leaving his supporters up for grabs.

"After the third one leaves, you wonder where do the votes go from that third contestant," Paula Abdul said backstage after Tuesday's singing showdown.

Allen seemed the likely candidate for those viewers' affections, for on- and offstage reasons. Allen and Gokey, 29, of Milwaukee, were downright conservative when compared to Lambert's elaborate staging and wardrobe choices. Allen is a married college student and has worked as a church worship leader. Gokey, a widower, is a church music director.

Lambert, 27, of Los Angeles, brought measured rock flashiness -- daring, not freaky -- with songs including "Whole Lotta Love," the first-ever Led Zeppelin tune on "Idol." He's largely kept his personal life under wraps, saying "I know who I am" when asked about it.

Earlier this week, Allen said he hoped the outcome wouldn't be decided by "having the Christian vote."

"I hope it has to do with your talent and the performance that you give and the package that you have. It's not about religion and all that kind of stuff," he said.

Added Lambert: "It's about music. That's really important to keep in mind."

The finale Wednesday included the usual bag of tricks for extending the show to two hours and delaying the result until the final minutes. There were group numbers, the Golden Idol Award -- semifinalist funnyman Nick "Norman Gentle" Mitchell among the contenders -- and celebrity-contestant combos.

Allen was joined by Keith Urban on "Kiss a Girl," while Lambert performed with Kiss. The female finalists, including Allison Iraheta, opened up for Fergie, who sang "Big Girls Don't Cry" and then was joined by her group, the Black Eyed Peas.

Iraheta later dueted with Cyndi Lauper on "Time After Time" and Danny Gokey joined Lionel Richie for two tunes.

Rod Stewart sang "Maggie May" after the male finalists opened for him with "Do Ya Think I'm Sexy."

An offbeat guest was Steve Martin, the actor-comedian who also specializes in the banjo. He played his song "Pretty Flowers" with finalists Megan Joy and Michael Sarver on vocals.

Asked by Seacrest to guess who might win "American Idol," Martin replied: "I know it's a long shot, but I'm hoping I do."

Allen rose to the occasion during Tuesday's performance show, especially with his soulful version of "Ain't No Sunshine." But he was tripped up by "No Boundaries," a song co-written by judge Kara DioGuardi and ill-suited to his voice.

Lambert did a better job with "No Boundaries" and excelled on his reprise of "Mad World" and on "A Change is Gonna Come."

"That was the best I've ever heard you sing -- ever!" exclaimed Abdul. (Souce: Yahoo Music)

Wednesday, May 20, 2009

Idol's Final Showdown: Rock God Adam Lambert vs Guy Next Door Kris Allen

It's our second consecutive all-male "American Idol" Top Two and just like last year, when you were either a Cook Fan or an Archuleta Booster, the battle lines are pretty much drawn across this great nation. Nobody is allowed to be ambivalent. You can root for Kris. You can root for Adam. But don't tell me that you like them both equally and differently.

Kris won the coin toss last week and, like all good Pete Carroll coached teams, he opts to defer and go second. Each singer will perform thrice, including "No Boundaries," the inevitably corny coronation song courtesy of none other than Superfluous Fourth Judge Kara DioGuardi.

How did the night go down? Click through...

Singer: ADAM LAMBERT
Song: "Mad World"

Fred, Daphne, Velma and Simon Say: Check it out. This is it, Randy, explains. Randy loves Adam showing his sensitive side. Randy starts with an A+. Hard to know where the grading goes from here. Kara says that Adam changed the game for everybody else and that he rocked it again tonight. Paula, roasted on a spit overnight, is also proud of Adam. Me, I'm wondering if I could rock Adam's coat. Simon, shirt unbuttoned to his belly-button, calls the performance "a bit over-theatrical." Simon hates the coat, but Randy says it's a "Twilight" thing." Randy has never seen "Twilight."

Singer: KRIS ALLEN
Song: "Ain't No Sunshine"


Fred, Daphne, Velma and Simon Say: Dude. Yo. Check it out. You know? You know what Randy loves about Kris? That he knows the kind of artist he is and that this was one of his best performances ever on the stage. Kara says that if you can't feel a Kris Allen performance, there's something wrong with you. Well, I didn't like "Glee" either, so there probably is something wrong. Paula raves about Kris' ability to Allen-ize every performance. But can he Simonize? Simon admits he was surprised when Kris' name was called out week, but he takes back his skepticism after that performance. Simon calls Round One for Kris. Me? I think Kris was better-than-usual, while Adam was just good-as-usual. To my mind? Round One is a push, a draw.

Singer: ADAM LAMBERT
Song: "Change Is Gonna Come"

Fred, Daphne, Velma and Simon Say: Listen. The song is an amazing classic for Randy and Adam showed that he can sing his face off. Matt Giraud is appreciative. Kara says it may be Adam's best performance of the entire competition, pulling it back and letting it go. Paula doesn't speculate, yelling that it was his best. Simon's lost at least one button on his shirt since we last saw him. "You are 100% back in the game," Simon reassures Adam.

Singer: KRIS ALLEN
Song: "What's Goin' On"

Fred, Daphne, Velma and Simon Say: Randy loves that we have a duel, finding the song timely. Randy calls it light, which has to be a judgment on the emotion of the performance, not the song itself. Kara likes that Kris' delivering a message. Paula says Kris tore the song up and made Marvin Gaye proud. "It was like three friends in their bedroom strumming along to Marvin Gaye." Ryan makes a confusing homophobic joke. Simon gives Round Two to Adam, "a million percent." It may even be more than that. If this were a boxing match, the first round would be either 10-10 or 10-9 either way depending on your preference. Adam has this one solidly 10-8 with a knockdown.

Singer: ADAM LAMBERT
Song: "No Boundaries"

Fred, Daphne, Velma and Simon Say: "Dude you can sing the phone book," Randy says, before saying it was pitchy in spots and just aight. Kara speaks on behalf of her co-writers to thank him. Paula is out of adjectives. She's in awe. Simon mocks the mountains and hurricanes and declares that over the whole season, Adam has been one of the best and most original contestants they've ever had and tells him that he's a worldwide star. Adam thinks he got the job done. I'm wondering if Kara DioGuardi and not Kris Allen is going to do Adam in.

Singer: KRIS ALLEN
Song: "No Boundaries"

Fred, Daphne, Velma and Simon Say: Randy tells Kris that he should be proud of himself, even if the key was too high. Kara agrees it was too high and that Kris shouldn't be judged on the performance. Paula says he deserves being where he is. Simon says Kris' best performance was his first tonight, but that he deserved to be on the stage tonight. Kris doesn't know if he did enough. I'd give the last round to Kris, but on a technicality. That makes it a 10-9 round for Kris at best.

(Source: Hitfix)

You can download MP3s of all of tonights performances HERE or download selected tracks using the single track download links below:

Download Links:

Adam Lambert

1. Adam Lambert - Mad World
2. Adam Lambert - A Change is Gonna Come (Simon Fuller’s choice)
3. Adam Lambert - No Boundaries

Kris Allen

1. Kris Allen - Aint No Sunshine (on the piano)
2. Kris Allen - What’s Going On (Simon Fuller’s choice)
3. Kris Allen - No Boundaries

Saturday, May 16, 2009

Radiohead - In Rainbows

Radiohead vs. Miley Cyrus

You may have heard that the Hannah Montana star got into it a little bit with Radiohead. The beef started when Miley was denied a meet-and-greet with the band at the Grammy Awards. Ms. Miley was excited to meet Radiohead, who she was (past tense), a big fan of. But Thom Yorke, lead singer of the group, politely declined the tween queen.

So what did Miley do? Skulk back to her underwear-baring BF with her tail between her legs. Not so much. She said she was going to make it her mission to expose the band for the mean guys they were. She...was...going...to...ruin...them. Mwahahahaha!

Until Thom Yorke had just about enough of that sort of Mean Girls behavior and tried to put Miley in her place. In a statement issued to Us Weekly, the singer says, "When Miley grows up, she'll learn not to have such a sense of entitlement."

This may be true, Thom. No, I take that back. This is absolutely true. But not meeting a fan when you're a few dressing rooms away from them - no matter who, or how annoying, that fan might be - and then going on the public record to do battle with a teenager, reeks of something...I believe it's also called entitlement. With a hint of lame. (Source: Limelife)

Download Links:

DISC 1
DISC 2

Single Track Download links:

Disc 1

1. 15 Step

2. Bodysnatchers

3. Nude

4. Weird Fishes Arpeggi

5. All I Need

6. Faust Arp

7. Reckoner

8. House Of Cards

9. Jigsaw Falling Into Place

10. Videotape

Disc 2

1. Mk1

2. Down Is The New Up

3. Go Slowly

4. Mk2

5. Last Flowers

6. Up On The Ladder

7. Bangers And Mash

8. 4 Minure Warning

Music Video

Friday, May 15, 2009

Pussy Cat Dolls - Jai Ho



Download Pussy Cat Dolls' latest Single "Jai Ho" HERE.

Thursday, May 14, 2009

Eminem - Relapse (Coming Soon)

RELAPSE
(Coming Soon! Only at MUSIKERO)

Only Two Idols Remain

Danny Gokey is dancing off "American Idol," leaving showy Adam Lambert and twangy Kris Allen to duke it out in the finale of the popular Fox singing competition next week.

Gokey, the bespectacled 29-year-old church music director and recent widower from Milwaukee, was revealed to have received the fewest viewer votes on Wednesday.

Gokey had continually impressed the judges with his husky voice -- but not his hip shaking -- throughout the contest. "Idol" judge Simon Cowell called his cover of Joe Cocker's version of "You Are So Beautiful" on Tuesday a "vocal master class" but said his dancing during Terence Trent D'Arby's "Dance Little Sister" was "desperate."

Along with Lambert, Gokey had long been considered to be a front-runner of the eighth season, never appearing as one of the show's bottom vote-getters. "Idol" host Ryan Seacrest said more than 88 million votes were received with 1 million votes separating the top two singers, meaning next week's Lambert-Allen showdown may be closer than anticipated.

"Look, none of us would have predicted this, guys," Cowell at the end of the show.

The episode kicked off with "Night at the Museum: Battle of the Smithsonian" stars Ben Stiller, Hank Azaria, Bill Hader and Jonah Hill starring in a plug masquerading as a skit about the "Idol" judges' desk being inducted into the Smithsonian. It wasn't a joke. The perch will be on display at the Smithsonian Institution Building in the coming weeks.

Before the results viewers saw Alicia Keys urging fans to support her charity, a 15-year-old Rwandan rapper named Noah, sixth-season champ Jordin Sparks, videos of the final three singers' trips to their hometowns and an over-the-top performance by Katy Perry.

Gokey just wanted to cut to the chase.

"I think we've had enough suspense, enough commercials, just enough playing around," he said. "Let's just get to it."

"I want to see Katy Perry!" Lambert exclaimed in response.

The feeling was apparently mutual. Perry made her love for Lambert no secret. The "I Kissed a Girl" singer crooned her latest single, "Waking Up in Vegas," with a troupe of glittery showgirls while wearing a scantily clad Elvis-inspired ensemble that was initially covered in a cape emblazoned with Lambert's name.

Either Lambert, a 27-year-old theater actor from San Diego, or Allen, a 23-year-old college student from Conway, Ark., will be crowned "Idol" next Wednesday. Cowell said Allen's totally stripped-down version of Kanye West's "Heartless" on Tuesday made him a contender for the finale. (Source: Yahoo Music)

Autographed Photos



Wednesday, May 13, 2009

American Idol - Judges' Choice Week

Tonight on a very special American Idol, the judges got to pick a song for each of the final three, which--if you believe in Idol conspiracy theories, which I admittedly sometimes do--meant the judges could really fix this competition by cruelly foisting truly mismatched tunes upon the hapless contestants. (Remember, bad song selection felled many an Idol contender this season, from Kasey Carlson's "Every Little Thing She Does Is Tragic" Police travesty to Megan Corkrey's snoozy "Turn Your Volume Down Low" Bob Marley cover."

The final three's fate rested squarely in the judges' grubby little hands.
Well, judging by the song Paula Abdul picked for Danny Gokey tonight, she must dislike him as much as I do. Why else would she force him to perform Terence Trent D'Arby's "Dance Little Sister," when Danny himself has frequently pointed out that he CAN NOT DANCE? A funky number like this needed some of the James Brownish fancy footwork that Terence used to so expertly execute back in the day...and let's face it, Danny had already had enough trouble with those simple step/touch/step/touch group-singalong routines he'd struggled through all season.

Actually, Danny's voice was pretty strong on this track tonight--the song brought out the best qualities of his smoky vocals, I grudgingly admit. Unfortunately, it also brought out some truly regrettable funky-chicken dance moves that would make even Taylor Hicks at his purple-jacketed goofiest cringe. Man, I know Terence needed a career comeback...but not like this. I sincerely doubt that Danny's performance will do for "Dance Little Sister" what, say, Jason Castro did for "Hallelujah" last season.

Paula, not wanting to admit she'd made a foolish choice while possibly under the influence of back pills, said of Danny's hokey hoofing: "I'm a choreographer, and I think you did really good!" Well, of course she'd say that. Kara DioGuardi was not as kind, saying, "The dancing was a little too gyrating for me," and Simon Cowell described Danny's moves as "a bit desperate." But then again, Simon also pointed out that Idol is a SINGING show and "not that funny little dance competition next door." (FYI, Simon meant So You Think You Can Dance, a series I love as much or even more than AmIdol, which starts next week to fill the-post-Idol void in my heart and DVR!)

Randy Jackson thought Danny was "dope," but I just thought Danny looked like a big dope. But yeah, singing-wise, Danny was a'ight, dawg.

Next up was Kris Allen, whose song choice came courtesy of Randy and Kara, who as the panel's two most expendable judges apparently have to share one brain now. Anyway, Karandy, as I will now call them, went with OneRepublic's "Apologize," which I thought was a much more sensible selection for this particular contestant, very much in Kris's comfort zone. I mean, muppetboy David Archuleta even did a good job with this song last season (it was the only Archie performance I actually enjoyed last year), so I knew Kris could pull it off, no problem.

Kris indeed performed "Apologize" quite well, showcasing his quiet strengths (unfortunately, his one bum note was not quiet at all, and in fact was loud enough to possibly cost him a place in next week's finale), although Kara inexplicably later lambasted Kris for interpreting it too literally by playing it on piano. Um, what was he SUPPOSED to play it on, the kazoo? This confusing comment angered Simon, enough to have him direct his usual biting criticism not at Kris but at Kara (and, by association, Randy), blaming Karandy for the tune's uninspired arrangement. And then Randy, Kara, and Simon proceeded to bicker like an old bigamist married trio, with poor Paula caught in the middle and probably wishing she could toss back a handful of back pills and make the pain all go bye-bye.

Performing third, in the well-deserved "pimp spot," was Adam Lambert. Adam wasn't just at an advantage by singing last--or, frankly, singing BEST--but also because his song was selected by the Idol judge with the best business sense and artistic instincts, Simon Cowell. And Simon sure got this one right: He went with U2's "One," and he made a specific point of saying that he'd had to personally ring up Bono to get permission for Adam to sing this great ballad of the ages. (Just like the almighty Led Zeppelin had to grant the go-ahead for Adam to do "Whole Lotta Love" last week.)

Please note that Simon mentioned that he got permission from Bono for ADAM LAMBERT to sing "One"--not for just any old Idol hopeful to sing it. I do believe Simon (who, much like me, hasn't been shy about his bias toward Adam, even predicting on Oprah this week that Adam will win) was subtly trying to say, "Bono would not have let Danny or Kris do 'One.'" (But then again, maybe that's just wishful thinking on my part.)

Anyway, this was another slam-dunk Lambert victory. In fact, when he nailed the big goosebumpy note at the end (with none of the difficulty Kris had on "Apologize"), I literally burst into applause. At my desk. By myself. Yes, I am a geek. But I couldn't help but clap! It was, as Simon somewhat self-servingly but still correctly put it, a "brilliant, brilliant performance," and even Paula had to admit Simon had picked the right song for the right singer. It was "One," for The One.

So that was round 1. For round 2, the contestants thankfully wrested back control and got to choose their own tunes. And in Danny and Kris's cases, they were definitely better off having some say in the song-selection process.

First Danny intrepidly thumbed his nose at all Taylor Hicks comparisons (which he has understandably garnered all season) by picking a song by one of Taylor's obvious influences, Joe Cocker. But it was a good choice--and not just because he remained seated during his performance instead of trying to awkwardly boogie all over the stage again (though his lack of movement was a plus, as it put the focus back on his decent voice). He crooned the Billy Preston-penned "You Are So Beautiful" backed by a lovely string section, and his female fans predictably melted and swooned. This was definitely more Danny's element, here.

Karandy loved Danny's second attempt, with Randy saying, "You showed you're here because you can really, really, really sing! You have mad vocals," and Kara equally enthusiastically raving, "Everything you didn't do in the first performance for me, you just did now. Stunning! Amazing!" Simon additionally described Danny's second performance as a "vocal master class." I, of course, wasn't quite so impressed...but this performance was indeed much, much better than Gokey's clumsy round 1 attempt

However, it was Kris that showed the greatest gains in round 2, proving to Kara and other doubters that he really could change up a song and make it his own. See, for his second number he did an acoustic-folk-guitar rendition of Kanye West's Heartless," and let me tell you, it was about 18 jillion times better than the time Kanye himself sang it on Idol a few weeks ago. (No Auto-Tunes necessary!) Randy actually declared Kris's version better than both the recent Fray cover AND Kanye's original, and Kara (who lamented, "Why didn't you do that with 'Apologize'???") did a 180 and called Kris "brave, bold, and fearless."

Simon worded it best when he in turn said: "After your lame first song, I had written you out of this competition; that, however, has all changed after that performance." And I hope Simon was right here. "Heartless" may have given Kris the edge he needed, as this was one of the most memorable performances of the night and one of Kris's best of the season. Kris did what he needed to do tonight; despite his humble demeanor, he demonstrated that he was in it to win. Obviously I still have all my hopes pinned on Adam for the actual win, but I'd much rather see Kris in the finale than Danny, and his records are the ones I'd be more likely to buy in the future.

Saving the best for last was Adam, who put Danny's eardrum-perforatingly screechy "Dream On" debacle from last week to shame--by taking on an Aerosmith song himself with much more swagger and much more success. I do wish he'd done something a little more out-there and flamboyant--like Queen or Cher, as mentioned by Ryan Seacrest, or maybe even some Scissor Sisters or Mika or Rufus Wainwright or Patrick Wolf. But hey, that "is he gay?" Entertainment Weekly cover story may have freaked out more conservative viewers/voters already, so I guess there was no need for Adam to take a big risk like that. Instead he belted out the testosterock classic that Kara wished Danny had sung last week, "Cryin'," although he of course sang it about 18 jillion times better than Danny would have. After this, I'll be cryin' if Adam is not in the finale next week.

"You are one of the best that we've ever had on this stage!" Randy bellowed. (What did he mean, one of the best? How about THE best?) Paula made some indecipherable comment about frequent flier miles and flying high that made me suspect she was flying high, if you catch my drift...but it was a compliment, I did understand that much. Kara predicted, "We'll see you at the finals!" But Simon still warned people to vote, saying to Adam, "It's very easy to assume that you're going to sail through to the finale. But I want people to vote for you because you deserve it, based on talent."

Tune in tomorrow night to see what happens! (Source: Yahoo Music)

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